Famous Historic Glass Engravers You Need To Know
Glass engravers have been very competent artisans and artists for countless years. The 1700s were particularly noteworthy for their success and appeal.


For example, this lead glass cup demonstrates how engraving integrated layout trends like Chinese-style motifs right into European glass. It additionally illustrates how the ability of an excellent engraver can produce illusory depth and aesthetic appearance.

Dominik Biemann
In the first quarter of the 19th century the conventional refinery area of north Bohemia was the only area where ignorant mythological and allegorical scenes engraved on glass were still in fashion. The cup envisioned here was etched by Dominik Biemann, who focused on tiny pictures on glass and is regarded as one of the most crucial engravers of his time.

He was the kid of a glassworker in Nové Svet and the bro of Franz Pohl, an additional leading engraver of the period. His work is characterised by a play of light and shadows, which is particularly obvious on this cup presenting the etching of stags in woodland. He was also known for his deal with porcelain. He passed away in 1857. The MAK Gallery in Vienna is home to a huge collection of his jobs.

August Bohm
A remarkable Nurnberg engraver of the late 17th century, Bohm worked with delicacy and a sense of calligraphy. He engraved minute landscapes and inscriptions with strong formal scrollwork. His work is a precursor to the neo-renaissance style that was to dominate Bohemian and other European glass in the 1880s and beyond.

Bohm accepted a sculptural sensation in both alleviation and intaglio inscription. He displayed his proficiency of the last in the carefully crosshatched chiaroscuro (stalking) results in this footed cup and cut cover, which illustrates Alexander the Great at the Fight of Granicus River (334 BC) after a paint by Charles Le Brun. In spite of his significant ability, he never ever accomplished the fame and ton of money he sought. He passed away in scantiness. His wife was Theresia Dittrich.

Carl Gunther
Despite his tireless job, Carl Gunther was a relaxed male that took pleasure in spending quality time with friends and family. He liked his everyday ritual of going to the Collinsville Senior citizen Center to enjoy lunch with his buddies, and these minutes of sociability gave him with a much required break from his demanding profession.

The 1830s saw something quite extraordinary take place to glass-- it came to be vibrant. Engravers from Meistersdorf and Steinschonau produced richly coloured glass, a taste called Biedermeier, to fulfill the need of Europe's country-house classes.

The Flammarion engraving has actually come to be a sign of this new taste and has actually shown up in books devoted to scientific research along with those checking out mysticism. It is also located in many museum collections. It is believed to be the only enduring example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) started his career as a fauvist painter, yet ended up being captivated with glassmaking in 1911 when seeing the Viard bros' glassworks in Bar-sur-Seine. They offered him a bench and taught him enamelling and glass blowing, which he grasped with supreme skill. He established his own techniques, using gold flecks and exploiting the bubbles and other natural flaws of the material.

His method was to treat the glass as a creature and he was one of the initial 20th century glassworkers to make use of weight, mass, and the aesthetic effect of all-natural problems as visual aspects in his works. The exhibition shows the substantial effect that Marinot had on modern-day glass production. However, the Allied bombing of Troyes in 1944 destroyed his studio and countless illustrations and paintings.

Edward Michel
In the early 1800s Joshua presented a design that resembled the Venetian glass of the period. He used a technique called diamond point engraving, which involves damaging lines into the surface of the glass with a tough steel execute.

He also established the very first threading maker. This development permitted the application of long, spirally injury routes of color (called gilding) on the main body of the glass, an important function of the glass in the Venetian style.

The late 19th century brought new style ideas to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British gift ideas for grandparents company that specialized in premium quality crystal glass and speciality coloured glass. Their work showed a preference for classic or mythical topics.